An Ode to Gene Kelly in 8 Parts

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Gene Kelly – courtesy of IMDB

Let me introduce you to the man who has been with my through all of the trials and tribulations, successes and joys of my life: Gene Kelly.

When I was four, I dressed as Don Lockwood, Gene’s character in the musical Singin’ in the Rain. This was the single best Halloween costume ever conceived. I looked amazing splashing my way down the street, singing and swinging on lampposts. The candy became a secondary goal; instead, I focused my efforts on representing Gene Kelly at his finest. Of course, none of the adults who answered my “trick or treat” knew who I was supposed to be. Apparently, a curly-haired little girl in a yellow raincoat doesn’t always evoke Hollywood’s best, and most handsome, tap dancer, but I didn’t care.

After the greatest Halloween ever, my mom was persuaded to send a photo of little me to Gene himself while he was recuperating in the hospital. I didn’t know about the hospital part, which was for the best. In return, I received my most prized possession: a signed, personalized picture of Don Lockwood hanging off a lamppost. I still can’t believe that Gene Kelly saw my picture, knew my name and wrote me a message. To have such an experience with an idol is something of which few people can boast.

Gene Kelly died in 1996. I was 5. My parents didn’t tell me and made a conscious effort to keep me away from all media that might have revealed the truth. All in all, that was a great decision because recently TCM had a Gene Kelly day, which ended with an interview with his widow. She and Robert Osborne talked about Gene and his legacy, and it made me sad – I’m 22. Imagine what 5-year-old Roz would have done. I shudder to think…

This morning, on my drive to work, Gene’s happy, Irish tenor voice came piping through my iPhone and instantly made my day. I started to think about all of Gene’s movies and how they fit within my life. For every mood I’m in, Gene’s there to empathize and console me.

Singin' in the Rain - courtesy of IMDB

Singin’ in the Rain – courtesy of IMDB

Happy: Now, this is sort of unfair because any Gene Kelly movie makes me happy, but this movie fill me with unbridled joy: Singin’ in the Rain, quite easily the best musical ever made. In it, Gene plays Don Lockwood, a silent film star who is trying to make his way through the talking picture craze. (See The Artist) It’s a movie about movies, one of my favorite sub genres of film. Gene sings and dances up a storm alongside the hilarious Donald O’ Connor and Debbie Reynolds. Jean Hagan is excellent as Gene’s silent film co-star. It literally brightens up a rainy day. I highly recommend this movie for a rainy day, a sunny day, a snowy day, a good mornin’ – basically any time you need some sunshine in your life.

An American in Paris - courtesy of IMDB

An American in Paris – courtesy of IMDB

Artsy and/or Romantic: An American in Paris (Best Picture winner) is exactly what it’s title implies; Gene is an ex-GI and painter, Jerry, who lives in Paris to soak up its culture and be inspired.Oscar Levant is hilarious as his buddy and pianist. Along the way, Jerry meets Leslie Caron, the two dance and fall in love.  The movie centers around an excellent score written by the Gershwins. I can never decide which part of the movie I love more, Gene’s singing of these great songs or Gene’s dancing to these great songs. At the end of the film, there is an epic dance sequence set to George Gershwin’s An American in Paris. (I dare you to listen to this and not smile.) As a kid, this part was a little grueling because it featured too much Leslie Caron. Now, though, I have grown to appreciate the beauty of the ballet/tap/contemporary dancing Gene choreographed. This film also plays to heartbreak, so it works for days like that, too.

Take Me Out to the Ballgame - courtesy of IMDB

Take Me Out to the Ballgame – courtesy of IMDB

Sporty and American: What do you get when you put Gene Kelly, Frank Sinatra and Jules Munshin in pinstripes? The entertaining baseball musical, Take Me Out to the Ballgame. The story follows Gene and Frank as two ball players who moonlight as vaudevillians in the off-season. The shortstop, second baseman and first baseman combo has a stellar season, despite the shock of having a female owner played by Esther Williams. Gene Kelly is so believable as both the entertainer and the shortstop thanks to his athletic abilities both on the dance floor and the baseball diamond. I love this movie because it combines two of my favorite things: baseball and musicals.

Summery or Happy-Go-Lucky: Summer Stock pairs Judy Garland (my other favorite) with Gene and the result is a rollicking good time. Judy owns a farm that her fly-by-night sister lends to a troupe of actors led by Gene Kelly. Marjorie Main works her magic as Judy’s housekeeper, Eddie Bracken is Judy’s dorky and endearing fiance, and Phil Silvers is Gene’s bumbling buddy. Summer Stock features one of my favorite numbers, “Dig for Your Dinner.” The song is clever and funny, Phil Silvers interjects with great quips, and Gene dances on a table. Obviously, this movie is excellent for the dog days of summer when it’s too hot to be outside. You’ll feel the fresh air that blows through Judy’s farm thanks to the adorable musical numbers she and Gene share.

The Pirate - Courtesy of IMDB

The Pirate – Courtesy of IMDB

Sexy: Judy Garland and Gene Kelly reunite once again in The Pirate, a musical set off the shores of the Caribbean that involves a case of mistaken identity and a hypnotizing mirror. There’s some great Cole Porter music, and I love Cole Porter. The Caribbean vibe and pirate costume Gene Kelly dons make this movie, if a movie made in 1948 can be called sexy. Gene does a particularly excellent and athletic dance in tight black pirate shorts. And, Gene was relatively young in this one. It was directed by Judy Garland’s once-husband Vincent Minnelli, father of Liza and director of another awesome musical, Meet Me in St. Louis.

Sad, Scared, Scared of Your Sadness: Nothing brings a girl down quite like World War I. Nothing brings me down more than seeing Gene Kelly sad. For Me and My Gal covers both of these upsetting topics and does it with song. Set during the First World War but screened during the second, the movie touches on a particularly sensitive nerve when it comes to war, courage and fear. Gene and Judy are two vaudevillians, and the war threatens to interrupt their act/relationship, so Gene goes to drastic measures to avoid this. A brooding Gene Kelly – I love it.

Inherit the Wind - Courtesy of IMDB

Inherit the Wind – Courtesy of IMDB

Snarky and Smart: Inherit the Wind is one of Gene Kelly’s few non-musical performances, and this is one of his best. He plays a sarcastic reporter sent to cover the John Scopes Monkey Trial (the one about the teacher who teaches evolution in a small, Christian town). Spencer Tracy and Frederic March play the case’s lawyers and both are acting giants. But, never fear! Gene Kelly is anything but dwarfed in scenes with these two legends. In fact, he rose to the challenge with professionalism and skill. This may be one of my favorite movies of all time simply because of the excellent performances from the entire cast. Watch it.

On the Town - Courtesy of IMDB

On the Town – Courtesy of IMDB

Patriotic: Nothing says America like Fleet Week, or nothing said America like Fleet Week since Fleet Week is no longer a thing – thanks, sequestration. But, in 1949, seeing sailors roaming the streets of NYC was as American as apple pie. On the Town celebrates this Naval tradition by rejoining Gene, Sinatra and Munshin along with their female counterparts Ann Miller, Betty Garrett and Vera-Ellen. The guys are sailors, the girls live in New York. They sing, dance, fall in love. It’s adorable.

Dark: Sometimes, we all get a little blue when we realize that the world can be a little corrupt. Gene has to come to that realization in Black Hand when he confronts the Mafia. Gene plays Johnny Columbo who has just returned from Italy on a mission to avenge the death of his father. Naturally, the Mafia makes this very difficult for Johnny. The cinematography of this film is literally dark, using deep shadows and an almost grainy texture to achieve the sinister effect necessary for a movie about the mob. This is a great movie for a day when you feel as though the whole world is against you. You’ll empathize with Gene Kelly and appreciate the ending that much more.

So, that’s it for now. I could talk about Gene Kelly all day. What about you? What are your favorite Kelly performances? Do you have an actor who has a movie to fit your every mood?

 

Seven Brides for Seven Brothers

Seven Brides for Seven Brothers - courtesy of IMDB

Seven Brides for Seven Brothers – courtesy of IMDB

“Seven Brides for Seven Brothers” was on TCM yesterday, and I had to watch it.

It’s been one of my favorite musicals since I was introduced to the genre as a fresh-faced two-year-old.

Everything about it is fantastic. The music is remarkable catchy, clever and singable. The sets, produced on a B-movie budget, make you feel like you’re in backcountry Oregon in the 1800s. Ironically, the movie ended up being a smash hit and now enjoys A-movie standing. Stanley Donen, quite possibly the greatest musical director in the history of MGM, directed an incredible cast and made “Seven Brides…” one of the most endearing films I have ever seen.

The story centers backwoodsman Adam Pontipee. One day, he heads into town to find himself a wife. (Cue Howard Keel’s beautiful baritone singing “Bless Your Beautiful Hide”). He sees fiesty Millie, played by a charming Jane Powell, and decides that “she’s the gal for me.” After some gentle persuasion, Millie agrees and the couple is married. Unaware that Adam has six uncouth brothers waiting back home, Millie is overjoyed with the thought of keeping her own house and starting a family.

She is welcomed to the Pontipee residence by Adam, Benjamin, Caleb, Daniel, Ephram, Frankincense and Gideon (named for Biblical characters), immediately upset that Adam didn’t inform her of the size of his household, and punishes him justly. Eventually, Millie warms to the brothers and vice versa. She teaches them all about “Goin’ Co’tin'” and inadvertently inspires the brothers to kidnap some local girls to be their wives.

The seven brothers are perfectly cast, consisting mostly of professional dancers, a former MLB baseball player and my favorite gymnast, Russ Tamblyn. Tommy Rall is another stand-out as Frank, the brother mortified by his Christian name and committed to avenging himself against anyone who makes fun of his Frankincense moniker. Their brides are sweet and cute but don’t distract from the incredibly adorable band of brothers.

Howard Keel is at his most excellent. I have always and will always think that his star ascended at the wrong time. He was rugged, handsome and had a singing voice that would make a grown man cry, yet he arrived in Hollywood at the tail end of the musical craze. “Kiss Me, Kate,” (also starring Tommy Rall) “Showboat” and “Annie Get Your Gun” all star Howard Keel and are worth your time.

Michael Kidd’s choreography is excellent and beautifully executed. The barn raisin’ dance is epic. Russ Tamblyn jumps over an axe, Tommy Rall spars with the city boys. He took full use of CinemaScope and created dances that were sprawling and intricate. Knowing full well that he had trained ballerinas in his company, Kidd used them to his advantage. This ain’t no sissy dancin’, either. This is a cast of manly man who just happen to pirouette beautifully and know how to properly point their toes.